Collateral Damage

EMILY SKRBINSEK

When you live with a battle in your head

and the fog of war rolls in,

diminishing reality to a plane of distant existence,

it becomes unclear where you end and the haze begins.

You weren’t always formless and thoughtless,

but you did always melt around all the wrong things–

I mean–

The right things.

Right?

The warm things,

the nice things–

But when warmth leads to flames,

and smiles flash teeth,

and it’s hard to tell when kindness

isn’t merely cloaking cruelty,

or an enemy scheme,

schemas sewn beneath

ensure conflict’s inevitability.

Your body of troops soon gets tired of fighting,

stretching between the softness it was

and the army it has to be.

Leaving spaces for the fog

to slip in between.

And when it rolls in,

it first seeps through your ears,

and sits behind your eyes,

then it leaks between your ribs.

Once it gets to your heart,

and hums within your bloodstream–

Forcing cells apart

until you’re scattered far too far–

you become a floating thing.

And it does its job well.

When it takes over your form,

something sits

between you and

the world.

Softening all of your sharp spots,

numbing your uncovered nerves.

It clings to your limbs,

coats your cracked ribs,

and chapped lips.

But numbing is never selective.

Soon everything falls victim.

Laughter and screaming echo much the same,

and you don’t recall the sensation of pain.

Or the pressure of a proper touch.

Swords and lips are now equally tough.

You cannot be harmed.

You cannot be cradled.

You cannot be cut.

You cannot be held.

When you become fog, the world passes by.

And you realise you don’t recall,

as your marching feet stop feeling the ground,

How, exactly, you got here at all.

But it is better this way,

sensitivity turned down,

to allow yourself to shift and shape

around their forms,

around their frowns.

And you are perfect from afar,

any shape they choose.

And when they hold out a hand

you slip right through.

What threat is touch to the intangible?

Why fear visibility when you can be anything?

What is pain? Or terror? Or stress?

Concern?

Care?

Love–

For in this phase of matter,

what matters but nothing?

When nothing could happen

to a soulless,

lifeless,

limitless,

formless,

thoughtless,

careless,

loveless,

pattern of atoms.

You want to scream,

“I am whoever,

whatever they see.

I am everything,”

and whisper,

“but nothing is me.”

Sometimes you wish to be held.

When the fighting becomes too much,

and forces you into fog,

the closest you get to “you” again

is liquid form–

Not the dampened walls

of each room

that you float through,

but the trickling tears that form

and trace the bones

you used to know–

The only evidence

that there remains a “you” to restore.

Proof that something has managed

to cool itself

and pull itself together,

somewhere,

deep,

deep

down

in your core.

To whisper the humanity

you’d forgotten to remember

to love, and lost while fleeing the war.

Once you evaporate,

the only time you start to recognise

your solid form

is when you cry.

And you know it is better this way.

But you can no longer think why.

Was it worth escaping that war,

when you’re left to fight

to find the “you” you fought for?


Emily is a writer and actress who was born and raised in Sydney, Australia. She prides herself on finding quotes that can delicately unpick the stitches of the deepest wounds, or otherwise hold a mirror to one’s core— leaving an ache comparable to that of a hug that squeezes the soul just too tight— and sharing these quotes with her closest friends (who have since become apprehensive to open her messages). With her own writing, Emily aspires to make her friends cry one day (but in a good way).

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